Equipment – FF V4 01

Our Tools

A lovingly curated collection of the finest studio gear from the 1940s to today - complemented by in-house developments and handcrafted replicas. Grown over decades, meticulously maintained, and modified whenever necessary.

In our artificial world: All images on this site are real photos, shot by Michael right here in the studio. No AI, no stock material - just pure passion and a lot of fun.

Preamps / Channel Strips

Neve
1073

THE classic channel strip. Queen, Nirvana, Pink Floyd, Led Zeppelin, David Bowie, Rolling Stones, Sex Pistols, Adele, Beyoncé, Dr. Dre…

TAB
V76

The “Rolls-Royce” of tube preamps. Abbey Road's backbone in the '60s. Beatles, Pink Floyd, Bruce Swedien, Jerry Finn…

Siemens
V72

Predecessor of the V76 with a fixed gain of 34 dB. Integral to Abbey Road's REDD.37 console.

TAB
V74

Originally a distribution amp, modified into one of the world's best preamps for loud signals like electric guitars or drums.

Siemens
V78

A version of the V72 with adjustable gain from 50 to 70 dB. Originally designed as a talkback amp. Little did they know…

Disa
91B21

Danish State Radio's V72-style tube preamp. 3 gain steps: 40dB, 34dB or 28dB.

Dynamics

Neve
2254/A

Another Rupert Neve masterpiece. Class-A diode-bridge design delivering highly musical compression.

TAB
U73b / Varicom

The very first “Loudness Maximizer” – also referred to as “The German Fairchild.”

TAB
U73bt

Transistorized successor to the U73b.

Cranesong
STC-8

Probably the most versatile PWM compressor. Models various classic compressor designs.

SSL Bus
Compressor

Built with original parts from an SSL 4k console – it doesn't get more authentic!

The Slammer

Custom-built 1176LN Rev. F – Michael's take on this classic design.

SPL
Kultube

Stereo compressor with clever program-adaptive parameters, decompression, and tube saturation.

SPL
Transient Designer 4

Shapes the signal's transient and release response. The last real invention in analog audio?

DBX
160X

OverEasy & Hard Knee compression with true RMS detection and ultra-wide control ranges.

DBX
902

The most sought-after De-Esser. Features level-independent 'ess' detection.

DBX
163X

Legendary OverEasy compressor - single-knob, musical leveling, great bass grind.

Drawmer
1960

Stereo compressor, mic preamp and DI with EQ featuring tube-hybrid circuitry.

Aphex
Compellor 9301

Transparent AGC processor with analog computer for fully automatic level control.

Aphex
Expressor 9651

Unique VCA compressor for highly transparent, artifact-free dynamics control.

Aphex
Dominator II

Analog stereo 3-band peak limiter and loudness maximizer.

Behringer
MDX 2200

2-channel compressor - IKA program auto, OverEasy, built-in peak limiter.

Behringer
MDX 2400

4-channel compressor - independent VCA channels, IKA program auto.

Behringer
XR 2200

2-channel noise gate - frequency-selective sidechaining, ultra-fast attack, built-in expander.

EQs

Neve
1073

Those legendary channel strips come with Rupert Neve's most famous EQ section.

GML
8200

'The Massenburg' – Archetype parametric EQ: Enormous headroom and uncolored transparency.

Klangfilm
RZ062a

One of the finest tube EQs ever, bass, treble and mid tilt control. Designed in the 1950s for film mixes.

Eckmiller
W86a

Passive bass and treble EQ with RLC filter network from the 1950s – requires 34 dB make-up gain (V72).

Telefunken
ELA E 150

1960s passive stereo EQ for bass and treble, RC filter network – requires 34 dB make-up gain (V72).

Siemens
W295b

Legendary 3-band EQ developed in the 1960s by Siemens for their 'Sitral' series.

Neumann
PEV

Passive LCR filters, transformer coupled Class-A transistor design, built for mastering and vinyl cutting.

Filtek
Mk5a

Vintage solid-state EQ with swiss genes - has rotary switches instead of potentiometers.

Custom
Stereo EQ

Michael's precision stereo EQ with stepped gain and a unique, highly musical filter design.

Custom
Spectral Balancer

Michael's custom mid and treble boost with stepped gain and a unique, highly musical filter design.

TLA
Indigo 2011

Dual-channel 4-band stereo hybrid valve EQ.

Behringer
PEQ 2200

'Ultra-Q' – surprisingly usable once the design flaws are fixed.

Exciter & Stereo-Tools

Aphex
Aural Exciter C

The classic 80s/90s 'magic dust' box for instant air, presence, and psychoacoustic sheen.

Aphex
Exciter 104

More 'magic dust', now with the legendary Big Bottom circuit for low-end punch.

BBE Sonic
Maximizer 322

Some love it, some hate it - iconic phase-correction and high-frequency enhancer.

Boss
EH-50

80s hidden gem, 5 different dynamic harmonic enhancement programs.

Behringer
Ultrafex Pro

'state-of-the-art sound enhancement system offering a special combination of sound improvement designs'

Behringer
EX-1 Edison

Stereo image enhancer, supposedly a clone of the legendary Bedini B.A.S.E.

Effects

Roland
RE-201

'Space Echo' - the legend! Introduced in 1974, analog tape creates its distinctive multi-head delay effect.

Roland
SDE 2000

Roland's debut – highly regarded 12-bit digital delay (297ms) with warm, lo-fi modulation capabilities (chorus and flanger).

Roland
SRV 3030D

24-bit reverb with built-in 3D spatial positioning and dynamic envelope-controlled reverb.

Ursa Major
SST-282

'Space Station' (1978) – legendary early digital space-maker using unique multi-tap delay clusters.

TC
2290

THE 80s/90s studio delay - iconic echo and multi-effects processor with dynamic ducking and modulation.

TC
M-One

Dense TC reverbs, pitch, and delays running in parallel or series.

Tapco
4400A

Vintage dual spring reverb - featuring graphic EQ control to shape dirty, characterful spaces.

Yamaha
Rex 50

1987 tabletop classic - housing the legendary, gritty SPX90 algorithms in a slanted desk package.

The Mixing Console

DDA
AMR 24

Analog legend re-engineered for the modern control room. This classic 80s split console delivers 36 input and 24 monitor channels with flexible 4-band semi-parametric EQs. To optimize ergonomics and acoustics, it was custom-split to integrate a central DAW workspace, while removing the meter bridge for an unobstructed sound stage and pristine listening accuracy.

Mics

C12

Legendary tube large-diaphragm microphone – hand-built AKG C12 clone by Norbert Pape (early 90s, limited run).

Neumann
SM2

World's first stereo microphone - small-diaphragm tube condenser with Neumann's classic nickel capsules.

Neumann
KM 54

Vintage small-diaphragm tube microphone - unmatched high-frequency detail and nickel warmth.

Neumann
KM 64

Custom vintage tube small-diaphragm – original KM54 tube body upgraded to KM64 specs with a KM84 capsule (no pad).

Neumann
M7 / M55K

Legendary tube system – CMV 563 amplifier with interchangeable M7 (cardioid) and M55K (omni) capsules.

Microtech Gefell
MV 690

Gefell's first solid-state amplifier (1969), converted to standard 48V phantom power.

Microtech Gefell
MV 691

Improved 1972 solid-state mic body by Gefell - custom-converted to 48V phantom power.

Microtech Gefell
MV 692

Top-tier Gefell solid-state body (1973) featuring pad, low-cut, and standard 48V.

Microtech Gefell
UM 70

Large-diaphragm capsule (M7) - switchable omni, cardioid, and figure-8.

Microtech Gefell
M 70

Nickel small-diaphragm cardioid capsule for the MV 690/691/692 series.

Microtech Gefell
M 69

Mylar small-diaphragm omni capsule for MV 690/691/692 - natural, balanced room response.

Microtech Gefell
M 93

Nickel small-diaphragm omni capsule for MV 690/691/692 - ultra-fast transients and airy top end.

Microtech Gefell
M 94

Mylar small-diaphragm cardioid capsule for MV 690/691/692 - smoother, more present midrange.

Microtech Gefell
PM 750

Classic soloist microphone - M70 nickel capsule (cardioid) with integrated pop shield.

Oktava
MK-219

Vintage Russian large-diaphragm condenser - iconic design with a warm, dark, and smooth tone.

Shure
SM 57

The ultimate 'desert island' mic – the only microphone you'll ever really need.

Shure
BETA 57A

The ultimate SM57 evolution - supercardioid clarity, higher output, and pristine high-end precision.

Shure
515SB

Vintage dynamic with garage-rock grit - punchy midrange for guitar cabs and lo-fi vocals.

Beyerdynamic
M69N

Vintage dynamic all-rounder - condenser-like detail with hypercardioid precision and punchy low-end.

Beyerdynamic
M88N

Legendary dynamic powerhouse - low-end punch and condenser-like detail for kick drums, brass, and vocals.

Sennheiser
MD 21

Indestructible reporting legend - natural omni acoustics with impressive low-end.

Sennheiser
MD 421

Iconic studio workhorse – punchy midrange and 5-position bass roll-off for toms, guitar cabs, and vocals.

Sennheiser
MD 441

The finest dynamic in the world - supercardioid precision, condenser-like detail, silky highs.

Sennheiser
MKH 405

Early RF small-diaphragm classic - fast transient response and silky highs for acoustic instruments.

Sennheiser
MKH 125

Pioneer of RF miniaturization - vintage omni lavalier with a rich, full-bodied response.

Sennheiser
E825S

Our talkback classic – crisp speech clarity, feedback rejection, and integrated mute switch.

audio-technica
AT 4060

Modern tube titan – velvety vintage character, massive dynamic range, and silky presence.

audio-technica
AT 4050

Multi-pattern large-diaphragm classic - precise imaging, silky top-end, three selectable polar patterns.

audio-technica
AE3000

Large-diaphragm tone in a compact body - high SPL handling, punchy transients, and ideal for tight spots.

audio-technica
AT 847

Innovative dual-element technology – dynamic punch and condenser detail.

audio-technica
ATM 25

Indestructible bass classic - punchy attack and deep low-end response for kicks and bass cabs.

audio-technica
AT U891R

Precision boundary microphone - superior speech clarity, natural acoustic capture, and RFI immunity.

Heil
PR-30

Large-diaphragm dynamic – silky presence, punchy midrange, high off-axis rejection.

Revox
M3500

Cult mic with Beyer heritage - punchy dynamics, high off-axis rejection.

Rode
NT1 5th gen.

Next-gen large diaphragm - maximum transparency, virtually noise-free.

Rode
NTG-2

Versatile shotgun mic – excellent off-axis rejection, natural tone, and dual-power flexibility.

Superlux
PRA 628 MKII

Dynamic supercardioid - punchy midrange attack for loud guitar cabs.

Karma Audio
K6

Active ribbon – silky-warm vintage tone, high output level.

Karma Audio
K-Micro

Miniature condenser - big sound, fast transients, and flexible placement.

AKG
SE 300B/CK91

Transparent small-diaphragm combo - neutral, detailed, and high-SPL capable.

T-Bone
RB-100

Passive ribbon - warm tone, silky highs, and rich low-end.

Fame
Classic Ribbon

Large-ribbon mic - smooth retro character, soft transients, natural room capture.

Fame
AT 37S

Versatile boundary mic – compact form factor, direct attack, effortless room & kick capture.

Behringer
WM 1800 S

Rugged utility mic – reliable workhorse with switch, for talkback and harsh setups.

Amps

Marshall
Super Lead

Model 1959 (1974) 100-Watt head - raw dynamics, singing mids, and ultimate plexi character.

Marshall
Major

Model 1967 (1972) 200-Watt head - legendary secret weapon of Blackmore & Hendrix.

Marshall
JCM 2000

TSL 100 - 100W head, 3 independent channels, extreme high-gain versatility.

Marshall
JCM 800

Model 2203 (100W) - THE ultimate rock & metal head - raw punch, iconic riffing.

Marshall
JMP-1

90s secret weapon: programmable tube preamp, versatile styles from clean to high-gain.

Marshall
9004

2-channel solid-state preamp: ultra-fast attack, crisp definition, and tight low-end.

Marshall
MS-4

Stereo stack of the 2W timeless classic. Has its very own Marshall attitude!

Marshall
1960A

JCM Slash signature - 4x12 cab, 300W, Celestion V30s, mono (16 ohms) & stereo (2x 8 ohms).

Marshall
2x12

Marshall
JCM C12

Open-back 1x12" cab, 70W (8 ohms), rich Marshall punch in a tight footprint.

Vox
AC30

Reckmeier modded - custom head/cab setup, a true one-of-a-kind.

Hiwatt
DR 504

(Not only) Gilmour's studio weapon: a timeless classic & the ultimate pedal platform.

Hiwatt
DR 504

Custom Mod: British classic meets US gain. No, it's not for sale!

Bugera
333XL

120W high-gain beast, “inspired” by the Peavey XXX/JSX. 3 channels, active EQ - now fireproof.

Jet City
100

Legendary SLO tone, thick sustaining mids, clear attack & tight bass.

Dynacord
LE15 Custom

Once a 15W power amp, now a one-of-a-kind rig with ultra-responsive tube dynamics!

Weimer
Bluesbraker

Handbuilt 30W Bluesbreaker clone. Classic mid-60s design: pure vintage tone.

Fender
Montreux

100W 1x12" solid-state combo, vintage 80s Rivera era. Pristine clean tones & massive headroom.

Fender
Vaporizer

12W 2x10" combo with 'space-race' look (built 2014 only). Sweet spring reverb & unique retro vibe.

Ibanez
60TE

Late 70s vintage hybrid amp. High-headroom cleans, aggressive overdrive & punchy attack.

Leslie
Type 251

Tube Leslie cabinet - modified for 1/4" jack & standard footswitch, plug & play without preamp.

Leslie
Type 760

Solid-state Leslie - dual-rotor, iconic sound, incl. Combo Preamp II.

Instruments

Yamaha
Maple Custom

22"/12"/13"/16" maple shells, W. Haffner Signature & 14x5.5" Maple Custom snares, Paiste Giant Beat cymbals.

Hammond
C3

The mother of all Hammonds! Played by Jimmy Smith, Jon Lord, Keith Emerson, Rick Wakeman, Gregg Allman…

Rippen
Piano

Vintage Dutch upright classic. Balanced, clear tone & expressive dynamics.

Wurlitzer
140B

Wurlitzer's first solid-state milestone (1964). Iconic electric piano tone & luscious tremolo.

Roland
SH-09

Monophonic 80s synth-pop icon. Raw, classic Roland bass & lead tones with retrofitted MIDI.

Roland
JX-3P

Classic 1983 analog polysynth with PG-200 controller. Dual DCOs, silky filter & full hands-on control.

Roland
JX-8P

Legendary 1985 6-voice analog synth. Renowned for lush pads, warm brass & glassy bell textures.

Oberheim
Matrix 1000

Classic Oberheim analog power. Matrix-6 synth engine with 1,000 iconic presets.

Eminent
Solina

Classic 70s analog string synthesizer. Its sound revolutionized 70s pop, disco & progressive rock.

Behringer
Solina

Analog clone of the iconic 1974 String Ensemble. Lush BBD chorus & full MIDI integration.

Behringer
Wasp Deluxe

Clone of the quirky 1978 monophonic analog-synth. Distinctive filter sound & reliable MIDI integration.

Behringer
Model D

Clone of the iconic 1970s Minimoog. Classic 3-oscillator design, 24dB ladder filter & MIDI integration.

Korg
M1R

1989 rack version of the cult M1 workstation. Includes expansions, legendary sounds & pure 90s vibe.

Korg
Microkorg

2002 virtual analog synth. A compact, streamlined 4-voice version of the MS-2000 engine.

Effect Pedals

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